Directed by Alexander Glustrom
76 min | 2019 | USA | Not Rated
Post-film discussion TBA.
Mossville, Louisiana is a shadow of its former self – a community rich in natural resources and history, founded by formerly enslaved people and free people of color – where neighbors lived in harmony, insulated from the horrors of Jim Crow. Today, however, Mossville no longer resembles the town it once was. Surrounded by 14 petrochemical plants, Mossville is the future site of apartheid-born South ... view more »
Directed by Alexander Glustrom
76 min | 2019 | USA | Not Rated
Post-film discussion TBA.
Mossville, Louisiana is a shadow of its former self – a community rich in natural resources and history, founded by formerly enslaved people and free people of color – where neighbors lived in harmony, insulated from the horrors of Jim Crow. Today, however, Mossville no longer resembles the town it once was. Surrounded by 14 petrochemical plants, Mossville is the future site of apartheid-born South African-based chemical company Sasol’s newest plant – proposed as a $21.2 billion project and the largest in the western hemisphere.
The community struggles to let go of their ancestral home – and at the center of it all is a man named Stacey Ryan. Stacey is 49 years old and a lifelong resident of Mossville. In the past ten years, Stacey has lost much of his family to cancer and seen the neighborhood he grew up in demolished to make way for Sasol’s new multi-billion dollar project. He experiences these changes from the view of his parent’s home, a FEMA trailer smack in the middle of where the new Sasol facility is being built – and he refuses to leave. Having promised his dying parents to fight the sprawling chemical companies, Stacey struggles to keep his word as his power, water, and sewage are all cut off, and his health continues to decline from ongoing chemical exposure. His dilemma is a moral one, too: he has a 5-year-old son living nearby with the child’s mother that he wants to move out of state, yet for now, the pull of that promise to his parents keeps him living in the middle of a construction site. As Sasol encroaches on citizens’ property with buyout offers, Stacey and other community members have to decide whether to exist in a chemical war zone or abandon land that has been in their families for generations.
Winner: Best Feature–2019 BendFilm Festival, Bryan Edwards Award for Human Rights–2019 Full Frame Documentary Film Festival, David Carr Award for Truth in Non-Fiction Filmmaking–2019 Montclair Film Festival
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