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Three distinctive, intense musical voices –German, French, and Russian—epitomize the extraordinary richness of the 19th century romantic era. Wagner’s medieval hero achieving redemption through love, and Berlioz’s obsession with the Shakespearean actress that he would later marry, provide the set-up for the ultimate romantic, Tchaikovsky. He (or his brother) dubbed his final symphony the “Pathétique,” which translated from the Russian means passionate. Declaring he put his “wholeView more
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