In Leviathan: Elegy for Ice, artist Pete Froslie continues to transform the museum’s newest exhibit space into an experimental extension of his studio. Previously, visitors encountered Froslie’s computer-generated seascape in real time, which was accompanied by hydrophone recordings of glacial ice. As he expands his Leviathan series, Froslie returns to using chemical processes to extract rare earth metals from electronic waste as he continues to answer the question: “How best can we see capital?” Past visitors of the exhibition should return to the museum to experience Froslie’s second iteration that further examines themes of climate change, moral and political philosophy, philosophical aesthetics, and demonology.