Poet and essayist Cathy Park Hong fearlessly and provocatively blends memoir, cultural criticism, and history to expose fresh truths about racialized consciousness in America. Part memoir and part cultural criticism, this collection is vulnerable, humorous, and provocative – and its relentless and riveting pursuit of vital questions around family and friendship, art and politics, identity and individuality, will change the way you think about our world.

Binding these essays together is Hong’s theory of “minor feelings”. As the daughter of Korean immigrants, Cathy Park Hong grew up steeped in shame, suspicion, and melancholy. She would later understand that these “minor feelings” occur when American optimism contradicts your own reality – when you believe the lies you’re told about your own racial identity. Minor feelings are not small, they’re dissonant – and in their tension Hong finds the key to the questions that haunt her.

Discussion Leader: Paisley Rekdal

Paisley Rekdal  is the author of a book of essays, The Night My Mother Met Bruce Lee;  the hybrid photo-text memoir, Intimate; and five books of poetry: A Crash of Rhinos; Six Girls Without Pants; The Invention of the Kaleidoscope; Animal Eye, a finalist for the 2013 Kingsley Tufts Prize and winner of the UNT Rilke Prize; and Imaginary Vessels, finalist for the 2018 Kingsley Tufts Prize and the Washington State Book Award. Her newest work of nonfiction is a book-length essay, The Broken Country: On Trauma, a Crime, and the Continuing Legacy of Vietnam. A new collection of poems, Nightingale, which re-writes many of the myths in Ovid’s The Metamorphoses, was published spring 2019.  Appropriate: A Provocation, which examines cultural appropriation, was released by W.W. Norton in Feb. 2021.  She is the guest editor for Best American Poetry 2020.