Ever since Scott Hutchison started releasing music as Frightened Rabbit more than a decade ago, his emotionally honest and incisively worded lyrics have been among the project’s most beloved qualities. Over the course of five albums, including their new Painting of a Panic Attack, Frightened Rabbit’s frontman has made poetry of his misery, and still somehow managed to make it sound anthemic — like a triumphant rallying cry rather than a downer. In all of those respects, Painting of a Panic Attack – produced by The National’s Aaron Dessner – is the band’s most accomplished collection yet. “Great songwriters touch a nerve, and I think Scott really touches a nerve with these songs,” says Dessner. “To me, lyrically, this album is a step above anything he’s written before.”
Beginning with the 2006 debut album Sing The Greys, Frightened Rabbit have become one of the U.K.’s most beloved exports. Though originally self-released, Sing The Greys earned the band a deal with indie label Fat Cat Records, who re-released the album and the two that followed: 2008’s Midnight Organ Fight and 2010’s The Winter of Mixed Drinks. Their last album, 2013’s Pedestrian Verse, marked their Canvasback / Atlantic Records debut, as well as their most critically and commercially successful albums to date. In the UK, that LP was dubbed “a triumph” by The Quietus, while The Guardian described it as “a collection of stirring, instant anthems.” Equal praise came from wide swath of U.S. outlets, including Rolling Stone, Time magazine, and Pitchfork, who praised Hutchison’s “lucid assessments of social and emotional turmoil.” The album also helped Frightened Rabbit achieve new commercial milestones, bringing a Top 10 debut in the U.K..