Little Deaths is a nuanced, emotional and intimate step inward for the otherwise hyperbolic band The Collection, the North Carolina-based indie-pop band founded by frontman David Wimbish.
In their time together, the tightly knit, six members of The Collection have inspired listeners with their raucous, folk-based indie-pop sound, resulting in an unabashed positivity and participatory spirit of shared celebration, creating an almost congregational connection with their audience. The Collection ... view more »
Little Deaths is a nuanced, emotional and intimate step inward for the otherwise hyperbolic band The Collection, the North Carolina-based indie-pop band founded by frontman David Wimbish.
In their time together, the tightly knit, six members of The Collection have inspired listeners with their raucous, folk-based indie-pop sound, resulting in an unabashed positivity and participatory spirit of shared celebration, creating an almost congregational connection with their audience. The Collection built their familial fan base over three independent albums, 2014’s full-length debut Ars Moriendi, Listen To The River [2017] and Entropy [2018]. The latter featured “Beautiful Life,” and its 8.7 million-and-counting Spotify streams, earning the band praise from American Songwriter, Glide, Parade and more, even landing on NPR Tiny Desk Judges’ Picks This was bolstered by the band’s riotous and righteous shows touring with the likes of Oh Hello, RIPE, Tall Heights and Sammy Rae & Friends.
Their 2023 EP and first effort with Nettwerk, How to Survive an Ending was a post-pandemic roadmap of resolve and celebrating the moment.
With Little Deaths, however, Wimbish writes about the aches, joys and acceptance of deeply personal growth. The progression of the band’s sound, he says, is palpable. “Our last record was triumphant,” he says. “Little Deaths is about vulnerability.”
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